剧情简介
康沃尔渔村的风(fēng )景明信(🐽)片田园(yuán )诗(🏽)误导了人们。虽然(🕟)过(guò )去钓(diào )鱼是一种(🍥)养家糊口的(🆖)方(🥈)式，但如今富有(yǒu )的伦敦游客纷纷(fēn )下山，取(qǔ )代(dài )了当地人，当地人的(🐿)生计因此(🎩)受到威胁。史(🕯)蒂(👁)文和马(✳)丁兄弟的(🚉)关系也很(hěn )紧张(zhāng )。马丁是一个没有船的渔(yú )(🖍)夫，因为史蒂文(🐖)开(🤷)始用(💞)它(⏺)来为一(yī )整天(🚣)的游(yóu )客提(tí )(📯)供更赚钱(😞)的(de )旅游(❔)。他们卖(🎛)掉了这座(zuò )(🥔)家庭别墅，现(xiàn )在看(kàn )来，最后(hòu )一场(㊙)战斗是和新主人在海边的停车位(wèi )上展开(kāi )。然而(ér )，情况很(hěn )快就失(shī )控(kòng )了，而不仅仅(⚾)是因为车轮(🤘)夹钳。 Bait是(shì )一种黑(hēi )白，手(shǒu )工制作，16毫米胶(jiāo )片制作的电(diàn )影。许(xǔ )多关(guān )于鱼、网、龙虾、长靴(xuē )(🔍)、绳(shéng )结(jié )和渔篮的特(📸)写镜头让人想(🥅)起了蒙(méng )太奇(🏴)景点的理论。对(duì )不同社(shè )(🖍)会(🔫)阶(💣)层的(🚡)描述——可以说是(shì )阶(jiē )级关(guān )系——也(🚻)让人(🔪)想起了英国(👩)电影中(🤼)的(❓)社会现实主(🎴)义(yì )(😉)传统。然而(🏸)，最(💁)重要的(de )(🧥)是(shì )，在影像中不同层(💕)次(🈂)的电影历(lì )史参考文献之下，当(dāng )前许多政(zhèng )治(🕵)关联正在(🐇)等(♊)待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
